◆MING AND QING PAINTING － （後）
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KOBAYASHI HIROMITSU
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| ○科目サブタイトル |
Human Images in Chinese History:Chinese Figure Painting and Portraits from the Ming Dynasty (1368-1644)
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| ○講義概要 |
Human Figures (renwu) is the oldest genre of painting in China. Ming Revivalists movements ushered painters to absorb the long history of figure and portrait paintings. During this period not just conventional subjects and compositions, but advanced techniques for realistic depiction of contemporaries were demanded by the portrait sitters and patrons. Furthermore, sensitive reactions to newly introduced European contemporary figure painting methods and their assimilation were seen among the artists of the late Ming period and their works. Studying history of Ming figure paintings and portraits leads us to
comprehend not just the significances in this oldest genre of Chinese painting,but also shows us how the art works can reflect changing society and growing city culture in the Ming period.
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| ○評価方法 |
出席状況(20%)、授業参画(30%)
Term paper (20-25pages/text should be 15 pages minimum) 50%
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| ○テキスト |
Vinograd, Richard『Boundaries of the Self: Chinese Portrait, 1600-1900』 Cambridge University Press, 1992
Cahill, James『Parting at the Shore: Chinese Painting of the Eraly Ming and Middle Ming』 Weatherhill, 1978
Lawton, Thomas『Chinese Figure Painting』 Freer Gallery of Art, 1973
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| ○参考書 |
Barnhart, Richard『Painters of Great Ming: The Imperial Court and the Zhe School』Dallas Museum of Art, Texas 1993
Fong, Wen『Possessing the Past』Abram, N.Y., 1996
Cahill, James『Distant Mountains: Chinese Painting of the Late Ming』Weatherhill, 1982
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| ○授業計画 |
| 1 | Course Orientation
The Tradition of Chinese Figure Painting |
| 2 | Imperial Portraitures: Idealized images of Emperors of the Ming |
| 3 | Portraits of Ming Scholar Gentlmen |
| 4 | Created Images of Historical Figures: Tao Yuanming and Su Dongpo |
| 5 | Portraita as Religious Icons: Confucian Sages, Taoist Immortals |
| 6 | Popular Images Spread by Woodblock Illustrations |
| 7 | Ladies and Beauties |
| 8 | Self-portraits: Pictures of Xiang Xianmo and Chen Hungshou |
| 9 | Research Methodology 1: General information on how to gather primary or secondary materials at meuseums and libraries for you presentation and paper. |
| 10 | Methodology 2: Instruction of how to organize your argument
Methodology 3: Format of the term paper |
| 11 | Museum Lecture (Place to be announced) |
| 12 | Individual conference with the instructor |
| 13 | Final Presentation
*Due date of the term paper will be announced in class. |
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Copyright (C) 2004 Sophia University
By：上智大学学事部学務課
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