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講義概要／Course description

科目一覧へ戻る

2012/09/20 現在

科目基礎情報／Course information

開講元学部／Faculty	国際教養学部／FACULTY OF LIBERAL ARTS
開講元学科／Department
登録コード／Registration Code	ALIT3320
期間／Period	2012年度／Academic Year 　　春学期／SPRING
曜限／Period	月/Mon　3 , 木/Thu　3
科目名／Course title	SURVEY OF JAPANESE LIT 2*／SURVEY OF JAPANESE LIT 2
教員表示名	THOMPSON Mathew
主担当教員名／Instructor	THOMPSON Mathew／THOMPSON MATHEW
単位数／Credits	4
更新日／Date of renewal	2012/03/08

講義概要情報／Course description 　　　[top]　[outline]　[bottom]

科目サブタイトル ／Subtitle of this course	Women, Gender and Sexuality
講義概要 ／Course description	What is the nature of woman?  And by what conventions are women depicted in literature.  Viewed from the perspective of a society that values the idea of equality between men and women, these questions can be deceptively simple.  Whether venerated for their purity, parodied for their irrationality, or condemned for their sexuality, the diversity of qualities attributed to women is equaled only by the diversity of their roles in narrative.   The literature of Japan is no exception.  In the poems and tales of the 10th century, women are bound to their homes, prisoners of gender roles and sexual politics.  In the Buddhist anecdotes of the 13th century, “woman” is a synonym for sexuality, which functions only to obstruct male (and female) enlightenment.  In the urban literature of the 17th century, women become commodities in a marketplace of desire.  And in the western-influenced genres of the modern era, women function as a source of obsession and obligation, both of which torment the innocence and idealism of men.  Surveying the classics of Japanese literature from the earliest times to the mid 20th century, the goal of this course is to examine the myriad representations of women in Japan and the cultures that gave rise to them.
他学部・他研究科受講可否 ／Other departments' students	可／Yes ※要覧記載の履修対象とする年次を確認すること。 Please make sure to confirm the student year listed in the bulletin.
評価基準・割合 ／Evaluation	その他／Others(in detail)　：1) Short Papers, 25% of final grade.  Students will be expected to submit several short papers of roughly 4-5 pages in length throughout the semester.   2) Final paper, 50% of final grade.  Roughly 10 pages in length. 3) Class participation and presentations, 25% of final grade.  Students will be expected to participate actively in daily discussions. 4) Regular attendance.  Late arrivals will be considered the same as an absence.  Any student missing more than two classes will receive a lower final grade.  Students who are absent more than six classes will fail.
参考書／Readings	自由記述／Free Text　：Most readings will be available on-line through the Moodle site.

講義スケジュール／Schedule 　　　[top]　[outline]　[bottom]

授業計画／Class schedule

1.Introduction:  A detailed syllabus will be distributed during the first meeting. 2.The Kojiki (A Record of Ancient Matters, c. 712) and the Manyoshu (Collection of Myriad Leaves, c. 759) 3.The Poetry of Ono no Komachi and Izumi Shikibu 4.Kagero nikki (The Kagero Diary, c. 954) 5.Makura no soshi (The Pillow Book, c. 1000) 6.Genji monogatari (The Tale of Genji, c. 1006): "The Maiden of the Bridge" and "Beneath the Oak" 7.Genji monogatari: "Trefoil Knots" 8.Genji monogatari: "The Ivy" 9.Genji monogatari: "The Eastern Cottage" 10.Genji monogatari: "A Drifting Boat" 11.Torikaebaya (I Long to Switch Them, 13th c.) 12.Towazugatari (The Confessions of Lady Nijo, c. 1306) 13.Assorted medieval setsuwa (anecdotal tales) 14.Assorted otogizoshi 15.Nanshoku okagami (The Great Mirror of Male Love, c. 1687) 16.Koshoku ichidai onna (The Life of an Amorous Woman, c. 1686) 17.Koshoku ichidai onna 18.Shinju ten no Amijima (Love Suicide at Amijima, c. 1720) 19.Ugetsu monogatari (Tales of Moonlight and Rain, c. 1768) and Yostsuya kaidan (Ghost Story at Yotsuya, c. 1825) 20.Shunshoku umegoyomi (Spring Color Plum Calendar, c. 1832) 21.TBA 22.Furyu butsu (The Icon of Liberty, c. 1889) 23.Chijin no ai (Naomi, c. 1924) 24.Chijin no ai 25.Chijin no ai 26.TBA 27.TBA