| 1.Course introduction |
| 2.Researching with visual materials: interpreting visual materials |
| 3.Researching with visual materials: toward a critical methodology |
| 4.Professionalization of visual anthropology |
| 5.Material vision and discursive practices |
| 6.Personal images and public archives |
| 7.Researching with visual materials: compositional interpretation |
| 8.Inscribing and re-inscribing meaning |
| 9.Photographic conventions |
| 10.Creating visual archives-1 |
| 11.Researching with visual materials: content analysis |
| 12.Creating visual archives-2 |
| 13.Organizing a visual research project and working with digital assets |
| 14.Researching with visual materials: semiotic analysis-1 |
| 15.Researching with visual materials: semiotic analysis-2 |
| 16.The "colonial eye" and the creation of otherness |
| 17.Material vision and the "social life" of images |
| 18.Researching with visual materials: psychological analysis |
| 19.The "colonial eye" and constituting "reality" |
| 20.Research strategies: assorted considerations |
| 21.Researching with visual materials: discourse analysis - text, intertextuality, context |
| 22.Researching with visual materials: discourse analysis - institutions and ways of seeing |
| 23.Aborigines and changing "image ethics" |
| 24.Researching with visual materials: audience studies |
| 25.Researching with visual materials: reviewing an anthropological approach |
| 26.Photo-elicitation |
| 27.Domestic photography: personal/family albums |
| 28.Domestic photography: personal/family albums |
| 29.The digital revolution: presenting research results as seamless documents |
| 30.Templates, formats, and specifications for submitting all semester projects |